Women of the Renaissance (Women in Culture and Society)
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Women lived the life of the underlying sex. Men ruled over everything, even through half a century of Queens.
(PDF) Critical Bibliography of Women in the Italian Renaissance | Kathryn Havelock - vabohindcophe.gq
The above passage says a lot about women in the Renaissance. The role of women was a very scarce role. Women were supposed to be seen and not heard. Rarely seen at that. Women were to be prim and proper, the ideal women. Females were able to speak their minds but their thoughts and ideas were shaped by men. Mostly everything women did had input given by men.
Women were controlled by her parents from the day she is born until the day she is married, then she would be handed directly to her husband so he could take over that role. In the time of the renaissance women were considered to legally belong to their husbands. Low class women were expected to be housewives and take care of everything to do with the house. The expectation of working class women was a little bit different.
These women were expected to work for their husbands and help them run their business. They would work along side with their husbands and then go home and take care of the house hold. Upper class women may have had servants and workers working for them but the women were still expected to take care of the house hold. Women could not work by themselves. Neither could they live alone if they were not married. If a women was single, she was made to move in with one of her male relatives or join a convent and become a nun.
There was no other option at this time for women.
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In accordance to different classes of women, the only women that were aloud to express themselves were upper class women, but not sufficiently. The existence of women was there but it was a marginal existence. Very rarely would a women of less than upper class be seen or heard expressing herself. It was unheard of.
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When women did express themselves, what they would express was tainted by male influence Mazzocco. The Taming of the Shrew is a play written by William Shakespeare. In this plat the main character is Katherine, she is the Shrew as mentioned in the title. A shrew is a woman who is very outspoken. The word Shrew is very negative word when relating to women.
Women of the Renaissance
In the time of the Renaissance, people looked down on women referred to as a shrew. These women were very open about expressing anything they wanted to. In this time period, a outspoken woman was unheard of. People strongly disapproved of women like this in the renaissance.
seanniklas.com/cellphone-tracking-reviews-honor-10.php Men were the only people aloud to be outspoken and expressive. Katherine is a shrew of the worst degree. Sometimes her words and actions are extremely violent. Utilizing the perspectives of social, church, and intellectual history, King looks at women of all classes, in both usual and unusual settings. She first describes the familial roles filled by most women of the day—as mothers, daughters, wives, widows, and workers. She turns then to that significant fraction of women in, and acted upon, by the church: nuns, uncloistered holy women, saints, heretics, reformers,and witches, devoting special attention to the social and economic independence monastic life afforded them.
The lives of exceptional women, those warriors, queens, patronesses, scholars, and visionaries who found some other place in society for their energies and strivings, are explored, with consideration given to the works and writings of those first protesting female subordination: the French Christine de Pizan, the Italian Modesta da Pozzo, the English Mary Astell. Of interest to students of European history and women's studies, King's volume will also appeal to general readers seeking an informative, engaging entrance into the Renaissance period.
King claims only to "visit" Renaissance women in their world, but she manages far more. She evaluates the evolution of Western European women's circumstances and their place in history. Although divided into three distinct chapters--Women in Families, Women in the Church, and finally Women in High Society--her narrative constantly correlates the status of the Renaissance woman to male society at large.
She never allows the reader to lose sight of the larger historical picture, as she appraises evidence from the ninth to the 18th centuries. Even when immersing the reader in statistical data, the personalities of the period are not lost; King is dealing with real people and does so with sensitivity and purpose.
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The copious footnotes and extensive bibliography will aid scholars in pursuing any tangential avenue. This book is highly recommended for European history and women's studies collections in academic libraries. Williams, Bluefield State Coll.
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